Anyhow, whether it’s stage monitors or something a bit stronger, we took on the arduous task of sifting through today’s market in an attempt to bring you the best amp for electronic drums. The primary factor we took into consideration was sound quality. The amp needs to properly reflect the kit’s good sides and enhance them; otherwise, it’s not doing what it’s meant to do.
Additionally, we singled out value for money, durability, portability, and reliability as additional crucial elements. We think that the following four items are the best products the market can offer so dig in!
Alesis Transactive 400
We’ll fire the big guns right from the get-go. The Alesis Transactive 400 electronic drum kit amp grabs our attention by delivering a massive load of 200 watts of continuous power – or up to 400 watts peak power – while still retaining top audio quality and an affordable price tag.
The device (see full specs) is able to handle high-transients of electronic drums with no trouble at all, while delivering a quality sonic projection through an angled baffle and bass porting.
Let’s delve right into the sound – the device does a great job in delivering a realistic sound and truly offering a clean image of the sonic output you’re cooking up with the kit.
Additionally, a standard set of tonal controls has been included in the mix, allowing you to make any type of audio tweaks you want. Whether it’s more bass, a brighter tone, or extra punch that you’ll need, the Transactive 400 has your back.
Other notable features include a set of standard stereo 1/4 inch and RCA inputs, a pack of stereo 1/4 inch outputs, as well as a 1/4 inch stereo link output with as assigned left/right/stereo selector. This should be on anyone’s list of the best amp for electronic drums.
Up next is a bit more of a budget-friendly option, something we like to see as a high end practice or stage monitor.
With 50 watts of power under the hood, the Simmons DA50 presents you with everything you need to get a good feel of your kit during practice or jam hours, as well as a clear image of your sound during live shows.
It sports a heavy duty 10 inch woofer, a high frequency tweeter, a headphone input for silent practice, and an MP3 input. The product also includes a standard three-band EQ for bass, middle, and treble adjustments.
It is quite easy to use, has a light weight, and is easily one of our top recommendations for monitoring options. It’s also one chunky devil, easily capable of taking a few strong punches without dropping the ball even for a second.
If you need a strong sound system, go Alesis; if you’re just after a strong monitor for yourself, this has all you need.
Another budget friendly option would be ddrum’s DDA50 model. Much like the DA50 from Simmons, we are talking about a precise, well-rounded and efficient monitor.
Once again, the product is best to be used as an onstage monitor or a practice speaker. And as long as you don’t overload it, the device will produce a clean, distortion-free sound that will provide you with a realistic image of your performance, as any good monitor should—nothing more and nothing less.
The product offers 50 watts of power, along with a 10 inch subwoofer, an adjacent 2.5 inch tweeter, three 1/4 inch inputs, an XLR line out, an Mp3 input, and a headphone output for silent jamming sessions. For sonic adjustments, the manufacturer included a classic three-band EQ, allowing you to accommodate the audio output to fit your needs to a T.
Also, it’s not all about the looks, but you can’t overlook that sexy red stripe vibe. The looks on this thing are on par with the sound, and that is always a plus. Bar none, this is one of the best amps for electronic drums on the market.
For another stand-out option, which serves as a mid-range deal of our list, we will once again consult the folks at Simmons and present you with their DA200S model.
This fella (see full specs) sports a total of 100 watts of power, which is way more than enough for practice, and just enough for medium gigs. Needless to say, it is more than enough power for a personal onstage monitor as well.
In terms of sonic aspect, we would like to single this device’s surprisingly powerful bass section. The groove is warm, fuzzy, and punchy, with zero distortion of sonic overloads in the low end, something not every speaker can brag about.
Additionally, the middles and the trebles are not lagging too far behind, securing a well-rounded output with punch and brightness. The mix also includes a 12-inch down-firing woofer, along with a set of 1/4 inch input jacks, a set of soft knobs with a three-band EQ, and a heavyweight steel grille.
The listed features secure that you are given a stereo field that will position your kit at their proper audio spot, securing nothing but a realistic sound experience for you and your crowd. It doesn’t matter if you’re in the studio, a practice room, or onstage, this guy will deliver. Highly recommended.
What to Watch Out for When Buying an Amp for Electronic Drums
What you should keep your eyes on is to get a clean amplifier. Unlike guitars, you don’t need distortion here and you don’t need fuzz; you just want a clear sound that will give a realistic image of the tonal adjustments you have dialed into your instrument and your personal playing flavor.
So keep it clean and keep it steady! Then, calculate your budget, jot down your favorite, and treat yourself with one of these bad boys as early as today! For the money, they are truly the best amps for electronic drums.